Review of: The Story Of O

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The Story Of O

The classic French erotic bestseller that preceded Fifty Shades of Grey A beautiful young French woman, known only as 'O', is taken by her lover René to a​. Buy meditoys – 'Story of O'-Ring (stainless steel, high polished), SM finger ring for ladies & men, BDSM: Shop top fashion brands Men at classic50cc.eu ✓ FREE. Die erfolgreiche Pariser Modefotografin O wird von ihrem Lover René auf ein abgelegenes Schloss gebracht. Dort bringt er sadomachistische Praktiken bei. Sie wird eine gehorsame Sklavin und lernt, sich ihm völlig zu unterwerfen, wobei jedoch nichts.

The Story Of O Inhaltsverzeichnis

Die erfolgreiche Pariser Modefotografin O wird von ihrem Lover René auf ein abgelegenes Schloss gebracht. Dort bringt er sadomachistische Praktiken bei. Sie wird eine gehorsame Sklavin und lernt, sich ihm völlig zu unterwerfen, wobei jedoch nichts. Geschichte der O (französischer Originaltitel: Histoire d'O, englisch Story of O) ist ein erschienener erotischer Roman von Anne Desclos (bekannter als. Story of O: A Novel | Pauline Reage | ISBN: | Kostenloser Versand für alle Bücher mit Versand und Verkauf duch Amazon. See the complete Story of O series book list in order, box sets or omnibus editions, and companion titles. 3 Books. #1. Histoire d'O - Book #1 of the Story of​. The classic French erotic bestseller that preceded Fifty Shades of Grey A beautiful young French woman, known only as 'O', is taken by her lover René to a​. The classic French erotic bestseller that preceded Fifty Shades of Grey. A beautiful young French woman, known only as 'O', is taken by her lover René to a​. Englisch-Deutsch-Übersetzungen für The Story of O [Pauline Réage orig Histoire d'O] im Online-Wörterbuch classic50cc.eu (Deutschwörterbuch).

The Story Of O

The classic French erotic bestseller that preceded Fifty Shades of Grey A beautiful young French woman, known only as 'O', is taken by her lover René to a​. See the complete Story of O series book list in order, box sets or omnibus editions, and companion titles. 3 Books. #1. Histoire d'O - Book #1 of the Story of​. Die erfolgreiche Pariser Modefotografin O wird von ihrem Lover René auf ein abgelegenes Schloss gebracht. Dort bringt er sadomachistische Praktiken bei. Sie wird eine gehorsame Sklavin und lernt, sich ihm völlig zu unterwerfen, wobei jedoch nichts.

It was then revealed that Aury was in fact yet another pseudonym for Desclos. The controversial work has been frequently criticized by feminists as a glorification of the abuse of women.

The Story of O was her response. The intense erotic effect is achieved by a kind of mismatch between language and psychological content. Instead, the prose is constrained by Desclos and proceeds unruffled and at an unvarying pace through a series of degraded sexual episodes, leading eventually to the disappearance of O behind yet another mask, that of an owl.

The most tightly fitted mask is style itself. The Story of O is a shocking novel and at the same time a masterfully boring one. The deep erotic joy of suffering, it tells us, is rooted in the terror of boredom.

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Let us know if you have suggestions to improve this article requires login. External Websites. Then she saw that the man was masked by a black hood - which concealed even his eyes behind a network of black gauze - and, finally, that he was also wearing fine black kid gloves.

Using the familiar tu form of address, he told her not to move and ordered the women to hurry. The woman with the tape then took the measurements of O's neck and wrists.

Though on the small side, her measurements were in no way out of the ordinary, and it was easy enough to find the right-sized collar and bracelets, in the basket the other woman was carrying.

Both collar and bracelets were made of several layers of leather each layer being fairly thin, so that the total was no more than the thickness of a finger.

They had clasps, which functioned automatically like a padlock when it closes, and they could be opened only by means of a small key.

Imbedded in the layers of leather, directly opposite the lock, was a snugly fitting metal ring, which hallowed one to get a grip on the bracelet, if one wanted to attach it, for both collar and bracelets fit the arms and neck so snugly - although not so tight as to be the least painful - that it was impossible to slip any bond inside.

So they fastened the collar and bracelets to her neck and wrists, and the man told her to get up. He took her place on the fur ottoman, called her over till she was touching his knees, slipped his gloved hand between her thighs and over her breasts, and explained to her that she would be presented that same evening, after she had dined alone.

She did in fact dine by herself, still naked, in a sort of little cabin where an invisible hand passed the dishes to her through a small window in the door.

Finally, when the dinner was over, the two women came for her. In the bedroom, they fastened the two bracelet rings together behind her back.

They attached a long red cape to the ring of her collar and draped it over her shoulders. It covered her completely, but opened when she walked, since, with her hands behind her back, she had no way of keeping it closed.

One woman preceded her, opening the doors, and the other followed, closing them behind her. They crossed a vestibule, two drawing rooms, and went into the library, where four men were having coffee.

They were wearing the same long robes as the first, but no masks. And yet O did not have time to see their faces or ascertain whether her lover was among them he was , for one of the men shone a light in her eyes and blinded her.

Everyone remained stock still, the two women flanking her and the men in front, studying her. Then the light went out; the women left.

But O was blindfolded again. Then they made her walk forward - she stumbled slightly as she went - until she felt that she was standing in front of the fire around which the four men were seated: she could feel the heat, and in the silence she could hear the quiet crackling of the burning logs.

She was facing the fire. Two hands lifted her cape, two others - after having checked to see that her bracelets were attached - descended the length of her back and buttocks.

The hands were not gloved, and one of them penetrated her in both places at once, so abruptly that she cried out. Someone laughed. Someone else said:.

They turned her around, and the heat of the fire was against her back. A hand seized one of her breasts, a mouth fastened on the tip of the other.

But suddenly she lost her balance and fell backward supported by whose arms? Hair grazed the insides of her thighs. She heard them saying that they would have to make her kneel down.

This they did. She was extremely uncomfortable in this position, especially because they forbade her to bring her knees together and because her arms pinioned behind her forced her to lean forward.

Then they let her rock back a bit, as nuns are wont to do. But as a matter of fact It was her lover speaking.

You have to get past the pleasure stage, until you reach the stage of tears. Then they made O get up and were on the verge of untying her, probably in order to attach her to some pole or wall, when someone protested that he wanted to take her first, right there on the spot.

So they made her kneel down again, this time with her bust on an ottoman, her hands still tied behind her, with her hips higher than her torso.

Then one of the men, holding her with both his hands on her hips, plunged into her belly. He yielded to a second. The third wanted to force his way into the narrower passage and, driving hard, made her scream.

When he let her go, sobbing and befouled by tears beneath her blindfold, she slipped to the floor, only to feel someone's knees against her face, and she realized that her mouth was not to be spared.

Finally they let her go, a captive clothed in tawdry finery, lying on her back in front of the fire.

She could hear glasses being filled and the sound of the men drinking, and the scraping of chair. They put some more wood on the fire.

All of a sudden they removed her blindfold. The large room, the walls of which were lined with bookcases, was dimly lit by a single wall lamp and by the light of the fire, which was beginning to burn more brightly.

Two of the men were standing and smoking. Another was seated, a riding crop on his knees, and the one leaning over her fondling her breast was her lover.

All four of them had taken her, and she had not been able to distinguish him from the others. The same would be true when she was whipped, except that they wanted her to see herself being whipped, and so this once she would not be blindfolded.

They, on the other hand, would don their masks, and she would no longer be able to tell them apart. Her lover had helped her to her feet, still wrapped in her red cape, made her sit down on the arm of an easy chair near the fire, so that she could hear what they had to tell her and see what they wanted to show her.

Her hands were still behind her back. They showed her the riding crop, which was long, black, and delicate, made of thin bamboo encased in leather, the kind one sees in the windows of better riding equipment shops; the leather whip, which the first man she had seen had been carrying in his belt, was long and consisted of six lashes knotted at the end.

There was a third whip of fairly thin cords, each with several knots at the end: the cords were quite stiff, as though they had been soaked in water, which in fact they had, as O discovered, for they caressed her belly with them and nudged open her thighs, so that she could feel how stiff and damp the cords were against the tender, inner skin.

Then there were the keys and steel chains on the console table. Along one entire wall of the library, halfway between floor and ceiling, ran a gallery which was supported by two columns.

A hook was imbedded in one of them, just high enough for a man standing on tiptoe, with his arms stretched above his head, to reach.

They told O, supporting her shoulders, and the other in the furrow of her loins, which burned so she could hardly bear it, they told her that her hands would be untied, but merely so that they could be fastened anew, a short while later, to the pole, using these same bracelets and one of the steel chains.

They said that, with the exception of her hands, which would be held just above her head, she would thus be able to move and see the blows coming: that in principle she would be whipped only on the thighs and buttocks, in other words between her waist and knees, in the same region which had been prepared in the car that had brought her here, when she had been made to sit naked on the seat; but that in all likelihood one of the four men present would want to mark her thighs with the riding crop, which makes lovely long deep welts which last a long time.

She would not have to endure all this at once; there would be ample time for her to scream, to struggle, and to cry.

They would grant her some respite, but as soon as she had caught her breath they would start in again, judging the results not from her screams or tears but from the size and color of the welts they had raised.

There was no question of using it that night. On the contrary, they wanted to hear her scream; and the sooner the better. The pride she mustered to resist and remain silent did not long endure: they even heard her beg them to untie her, to stop for a second, just for a second.

So frantically did she writhe, trying to escape the bite of the leashes, that she turned almost completely around, on the near side of the pole, for the chain which held her was long and although quite solid, was fairly slack.

As a result, her belly and the front of her thighs were almost as marked as her backside. They made up their minds, after in fact having stopped for a moment, to begin again only after a rope had been attached first to her waist, then to the pole.

Since they tied her tightly, to keep her waist snug to the pole, her torso was forced slightly to one side, and this in turn caused her buttocks to protrude in the opposite direction.

From then on the blows landed on their target, unless aimed deliberately elsewhere. Given the way her lover had handed her over, had delivered her into this situation, O might have assumed that to beg him for mercy would have been the surest method for making him redouble his cruelty, so great was his pleasure in extracting, or having the others extract, from her this unquestionable proof of his power.

And indeed he was the first to point out that the leather whip, the first they had used on her, left almost no marks in contrast to the whip made of water-soaked cords, which marked almost upon contact, and the riding crop, which raised immediate welts , and thus allowed them to prolong the agony and follow their fancies in starting and stopping.

He asked them to use only the whip. Meanwhile, the man who liked women only for what they had in common with men, seduced by the available behind which was straining at the bonds knotted just below the waist, a behind made all the more enticing by its efforts to dodge the blows, called for an intermission in order to take advantage of it.

He spread the two parts, which burned beneath his hands, and penetrated - not without some difficulty - remarking as he did that the passage would have to be rendered more easily accessible.

They all agreed that this could, and would, be done. When they untied the young woman, she staggered and almost fainted, draped in her red cape.

Then they rang. Her outfit was similar to theirs: a long dress with a full skirt, worn over a sturdy whalebone bodice gathered tightly at the waist, and over a stiffly starched linen petticoat.

The low-cut neck scarcely concealed the breasts which, raised by the constricting bodice, were only lightly veiled by the network of lace.

The petticoat was white, as was the lace, and the dress and bodice were a sea-green satin. When O was dressed and resettled in her chair beside the fire, her pallor accentuated by the color of the dress, the two young women, who had not uttered a word, prepared to leave.

One of the four friends seized one of them as she passed, made a sign for the other to wait, and brought the girl he had stopped back toward O. He turned her around and, holding her by the waist with one hand, lifted her skirt with the other, in order to demonstrate to O, he said, the practical advantages of the costume and show how well designed it was.

He added that all one needed to keep the skirts raised was a simple belt, which made everything that lay beneath readily available.

They had the young woman show O how she would have to keep her skirt: rolled up several turns like a lock of hair rolled in a curler and secured tightly by a belt, either directly in front, to expose the belly, or in the middle of the back, to leave the buttocks free.

In either case, skirt and petticoat fell diagonally away in large, cascading folds of intermingled material. Like O, the young woman's backside bore fresh welt from the riding crop.

She left the room. Here is the speech they then delivered to O:. During the day, you will perform whatever domestic duties are assigned to you, such as sweeping, putting back the books, arranging flowers, or waiting on table.

Nothing more difficult than that. But at the first word or sign from anyone you will drop whatever you are doing and ready yourself for what is really your one and only duty: to lend yourself.

Your hands are not your own, nor are your breasts, nor, most especially, any of your bodily orifices, which we may explore or penetrate at will.

You will remember at all times - or as constantly as possible - that you have lost all right to privacy or concealment, and as a reminder of this fact, in our presence you will never close your lips completely, or cross your legs, or press your knees together you may recall you were forbidden to do this the minute you arrived.

This will serve as a constant reminder, to you as well as to use, that your mouth, your belly, and your backside are open to us.

You will never touch your breasts in our presence: the bodice raises them toward us, that they may be ours. During the day you will therefore be dressed, and if anyone should order you to lift your skirt, you will lift it; if anyone desires to use you in any manner whatsoever, he will use you, unmasked, but with this one reservation: the whip.

The whip will be used only between dusk and dawn. But besides the whipping you receive from whoever may want to whip you, you will also be flogged in the evening, as punishment for any infractions of the rules committed during the day: for having been slow to oblige, for having raised your eyes and looked at the person addressing you or taking you - you must never look any of us in the face.

If the costume we wear in the evening - the one I am now wearing - leaves our sex exposed, it is not for the sake of convenience, for it would be just as convenient the other way, but for the sake of insolence, so that your eyes will be directed there upon it and nowhere else, so that you may learn that there resides your master, for whom, above all else, your lips are intended.

During the day, when we are dressed in normal attire and you are clothed as you are now, the same rules will apply, except that when requested you will open your clothes, and then close them again when we have finished with you.

Another thing: at night you will have only your lips with which to honor us - and your wide-spread thighs - for your hands will be tied behind your back and you will be naked, as you were a short while ago.

You will be blindfolded only to be maltreated and, now that you have seen how you are whipped, to be flogged. And yes, by the way: while it is perfectly all right for you to grow accustomed to being whipped - since you are going to be every day throughout your stay - this is less for our pleasure than for your enlightenment.

How true this is may be shown by the fact that on those nights when no one desires you, you will wait until the valet whose job it is comes to your solitary cell and administers what you are due to receive but we are not in the mood to mete out.

Actually, both this flogging and the chain - which when attached to the ring of your collar keeps you more or less closely confined to your bed several hours a day - are intended less to make you suffer, scream, or shed tears than to make you feel, through this suffering, that you are not free but fettered, and to teach you that you are totally dedicated to something outside yourself.

When you leave here, you will be wearing on your third finger an iron ring, which will identify you. Bu then you will have learned to obey those who wear the same insignia, and when they see it they will know that beneath your skirt you are constantly naked, however comely or commonplace your clothes may be, and that this nakedness is for them.

Should anyone find you in the least intractable, he will return you here. Now you will be shown to your cell.

While there were talking to O, the two women who had come to dress her had been standing on either side of the stake where she had been whipped, without touching it, as though it terrified them, or as though they had been forbidden to touch it which was more likely ; when the man had finished, they came over to O, who realized that she was supposed to get up and follow them.

She therefore got up, gathering her skirts in her arms to keep from tripping, for she was not used to long dresses and did not feel steady on the mules with thick soles and very high heels which only a thick satin strip, of the same green as her dress, kept from slipping off her feet.

As she bent down she turned her head. The women were waiting, the men were no longer looking at her. Her lover, seated on the floor leaning against the ottoman over which she had been thrown at the beginning of the evening, with his knees raised and his elbows on his knees, was toying with the leather whip.

As she took her first step to join the women, her skirt grazed him. He raised his head and smiled, calling her by her name, and he too stood up.

Softly her caressed her hair, smoothed her eyebrows with the tip of his finger, and softly kissed her on the lips. In a loud voice, he told her that he loved her.

O, trembling, was terrified to notice that she answered "I love you," and that it was true. He pulled her against him and said: "Darling, sweetheart," kissed her on the neck and the curve of the cheek; she had let her head fall on his shoulder, which was covered by the purple robe.

Very softly this time he repeated to her that he loved her, and very softly added: "You're going to kneel down, cress me, and kiss me," and he pushed her away, signaling to the women to move aside so he could lean back against the console.

He was tall, but the table was not very high and his long legs, sheathed in the same purple as his robe, were bent. The open rope stiffened from beneath like drapes, and the top of the console table slightly raised his heavy sex and the light fleece above it.

The three men approached. O knelt down on the rug, her green dress in a corolla around her. Her bodice squeezed her; her breasts whose nipples were visible, were at the level of her lover's knees.

The three men, who were smoking, commented on her gestures, on the movement of her mouth closed and locked on the sex she had seized, as it worked its way up and down, on the way tears streamed down her ravaged face each time the swollen member struck the back of her throat and made her gag, depressing her tongue and causing her to feel nauseous.

It was this same mouth which, half gagging on the hardened flesh which filled it, murmured again: "I love you. O could hear the comments made by those present, , but through their words she strained to hear her lover's moans, caressing him carefully, slowly , and with infinite respect, the way she knew pleased him.

O felt that her mouth was beautiful, since her lover condescended to thrust himself into it, since he deigned publicly to offer caresses to it, since, finally, he deigned to discharge in it.

She received as a god is received, she heard him cry out, heard the others laugh, and when she had received it she fell, her face against the floor.

The two women picked her up, and this time they led her away. The mules banged on the red tiles of the hallway, where doors succeeded doors, discreet and clean, with tiny locks, like the doors of the rooms in big hotels.

O was working up the courage to ask whether each of these rooms was occupied, and by whom, when one of her companions, whose voice she had not yet heard said to her:.

He often came in at night. The valets have the keys and the right to use any of us in the rooms of their section.

O was about to ask what kind of person this Pierre was, but she did not have time to. As they turned a corner of the hallway, they made her halt before a door similar in all respects to the others: on a bench between this and the following door she noticed a sort of thick-set, ruddy peasant, whose head was practically clean shaved, with small black eyes set deep in his skull and rolls of flesh on his neck.

He was dressed like the valet in some operetta: a shirt whose lace frills peeked out from beneath his black vest, which itself was covered by a red jacket of the kind called a spencer.

He had black breeches, white stockings, and patent-leather pumps. He too was carrying a leather-thonged whip in his belt. His hands were covered with red hair.

He took a master key from his vest pocket, ushered the three women in, and said:. Ring when you've finished.

The cell was quite small, and actually consisted of two rooms. With the hall door closed, they found themselves in an antechamber which opened into the cell proper; in this same wall, inside the room itself, was another door which opened into the bathroom.

Opposite the doors there was the window. Against the left wall, between the doors and the window, stood the head of a large square bed, which was very low and covered with furs.

There was no other furniture, no mirror. The walls were bright red, and the rug black. The pillow, hard and flat like the mattress, was of the same reversible material.

The only object on any of the walls was a thick, gleaming steel ring which was set at about the same height above the bed as the hook in the stake had been above the floor of the library; from it descended a long steel chain directly onto the bed, its links forming a little pile, the other end being attached at arm's length to a pad-locked hook, like a drapery pulled back and held in place by a curtain loop.

The only peculiar features of the bathroom were the Turkish-type toilet, located in the corner nearest the door, and the fact that every inch of wall space was covered with mirrors.

They put her dress away in the closet next to the washbasin, where her mules and red cape already were, and remained with her, so that when she had to squat down over the porcelain pedestal she found herself surrounded by a whole host of reflections, as exposed as in the library when unknown hands had taken her by force.

O felt herself turn pale. I'm ringing for Pierre. We'll come and get you tomorrow morning. O, completely taken aback, remained standing at the foot of the bed.

With the exception of the collar and leather bracelets, which the water had stiffened when she had bathed and were tighter than before, O was naked.

And he seized both her hands. He slipped one of the bracelet hooks into the other, so that her wrists were tightly joined, then clipped both these hooks to the ring of the necklace.

Thus her hands were joined as in an attitude of prayer, at the level of her neck. All that remained to be done was to chain her to the wall with the chain that was lying on the bed, and was attached to the ring above.

He unfastened the hook by which the other end was attached and pulled on it in order to shorten it. O was forced to move to the head of the bed, where he made her lie down.

The chain clicked in the ring, and was so tight that the young woman could do no more than move from one side of the bed to the other or stand up on either side of the headboard.

Since the chain tended to shorten the collar, that is, pull it backward, and her hands tended to pull it forward, and equilibrium was established, with her joined hands lying on her left shoulder and her head bending in that direction as well.

The valet pulled the black cover up over O, but not before he had lifted her legs for a moment and pushed them back toward her chest, to examine the cleft between her thighs.

He did not touch her further, did not say a word, turned out the light, which was a bracket lamp on the wall between the two doors, and went out.

Lying on her left side, alone in the darkness and silence, hot beneath her two layers of fur, of necessity motionless, O tried to figure out why there was so much sweetness mingled with the terror in her, or why her terror seemed itself so sweet.

She realized that one of the things that most distressed her was the fact that she had been deprived of the use of her hands; not that her hands could have defended her and did she really want to defend herself?

O's hands had been taken away from her; her body beneath the fur was inaccessible to her. How strange it was not to be able to touch one's own knees, or the hollow of one's own belly.

The lips between her legs, her burning lips were forbidden her, and perhaps they were burning because she knew they were open to the first comer: to the valet Pierre, if he cared to enter.

She was surprised that the whipping she had received had left her so untroubled, so calm, whereas the thought that she would probably never know which of the four men had twice taken her from behind, and whether it was the same man both times, and whether it had been her lover, quite distressed her.

She turned over slightly on her stomach, recalling that her lover loved the furrow between her buttocks which, except for this evening if it had been he , he had never penetrated.

She hoped it had been he; would she ask him? Ah, never! Again she saw the hand which in the car had taken her garter belt and panties, and had stretched the garters so that she could roll her stockings down to above her knees.

The memory was so vivid that she forgot her hands were bound and made the chain grate. And why, if she took the memory of the torture she had gone through so lightly, why did the very idea , the very word or sight of a whip make her heart beat wildly and her eyes close with terror?

She did not stop to consider whether it was only terror; she was overwhelmed with panic: they would pull on her chain and haul her to her feet on the bed, and they would whip her, with her belly glued to the wall they would whip her, whip her, the word kept turning in her head.

Pierre would whip her, Jeanne had said he would. You're lucky, Jeanne had repeated, they'll be a lot harder on you. What had she meant by that?

She no longer felt anything but the collar, the bracelets, and the chain; her body was drifting away. She fell asleep. In the wee hours of the night, just before dawn when it is darkest and coldest, Pierre reappeared.

He turned on the light in the bathroom, leaving the door open so that a square of light fell on the middle of the bed, on the spot where O's slender body was curled, making a small mound beneath the cover, which silently he pulled back.

Since O was sleeping on her left side, her face to the window and her legs slightly drawn up, the view she offered him was that of her white flanks, which seemed even whiter against the black fur.

He took the pillow from beneath her head and said politely:. The square of light on the bed, which was faint, since the bed was black, illuminated her body, but not his gestures.

She guessed, but could not see, that he was undoing the chain to rehook it to another link, so that it would remain taut, and she could feel it growing tighter.

Her feet, which were bare, were solidly planted on the bed. Nor was she able to see that he had in his belt not the leather whip but the black riding crop similar to the one they had hit her with while she was tied to the stake, but they had only used it twice on her and had not hit her hard.

She felt Pierre's left hand on her waist, the Mattress gave a little as, to steady himself, he put his right foot on it. At the same time as she heard a whistling noise in the semi-darkness, O felt a terrible burning across her back, and she screamed.

Pierre flogged her with all his might. He did not wait for her screams to subside, but struck her again four times, being careful each time to lash her above or below the preceding spot, so that the traces would be all the clearer.

Even after he had stopped she went on screaming, and the tears streamed down into her open mouth. When she was facing him, he moved back slightly and lowered his crop on the front of her thighs as hard as he could.

The whole thing had lasted five minutes. When he had left, after having turned out the light and closed the bathroom door, O was left moaning in the darkness, swaying back and forth along the wall at the end of her chain.

She tried to stop moaning and to immobilize herself against the wall, whose gleaming percale was cool on her tortured flesh, as day slowly began to break.

The tall window, toward which she was turned, for she was leaning on one hip, was facing the east. It extended from floor to ceiling and except for the drapes - of the same red material as that on the wall - which graced it on either side and split into stiff folds below the curtain loops which held it, had not curtains.

O watched the slow birth of pale dawn, trailing its mist among the clusters of asters outside at the foot of her window, until finally a poplar tree appeared.

The yellow leaves from time to time fell in swirls, although there was no wind. In front of the window, beyond the bed of purple asters, there was a lawn, at the end of which was a pathway.

It was broad daylight by now, and O had not moved for a long time. A gardener appeared on the path, pushing a wheelbarrow.

The iron wheel could be heard squeaking over the gravel. If he had come over to rake the leaves that had fallen in among the asters, the window was so tall and the room so small and bright that he would have seen O chained and naked and the marks of the riding crop on her thighs.

The cuts were swollen, and had formed narrow swellings much darker in color than the red of the walls. Where was her lover sleeping, the way he loved to sleep on quiet mornings?

In what room, in what bed? Was he aware of the pain, the tortures to which he had delivered her? Was he the one who had decided what they would be?

O recalled the prisoners she had seen in engravings and in history books, who also had been chained and whipped many years ago, centuries ago, and had died.

She did not wish to die, but if torture was the price she had to pay to keep her lover's love, then she only hoped he was pleased that she had endured it.

All soft and silent she waited, waited for them to bring her back to him. None of the women had the keys to any locks, neither the locks to the doors nor the chains, the collars or bracelets, but every man carried a ring of three sets of keys, each of which, in the various categories, opened all the doors or all the padlocks, or all the collars.

The valets had them too. But in the morning the valets who had been on the night shift were sleeping, and it was one of the masters or another valet who came to open the locks.

The man who came into O's cell was dressed in a leather jacket and was wearing riding breeches and boots. She did not recognize him.

First he unlocked the chain on the wall, and O was able to lie down on the bed. Before he unlocked her wrists, he ran his hands between her thighs, the way the first man with mask and gloves, whom she had seen in the small red drawing room, had done.

It may have been the same one. His face was bony and fleshless, with that piercing look one associates with the portraits of the Huguenots, and his hair was gray.

O met his gaze for what seemed to be an endless time and, suddenly freezing, she remembered it was forbidden to look at the masters above the belt.

She closed her eyes, but it was too late, and she heard him laugh and say, as he finally freed her hands:. Afterward you can sleep till noon, and when you hear the bell it will be time to get ready for lunch.

You'll bathe and fix your hair. I'll come to make you up and lace up your bodice. After that you're on your own, and will have dealings only with the men.

We won't be able to talk to you, and you won't be able to talk to us either. The door opened; it was her lover, and he was not alone. It was her lover, dressed the way he used to when he had just gotten out of bed and lighted the first cigarette of the day; in striped pajamas and a blue dressing gown, the wool robe with the padded silk lapels which they had picked out together a year before.

And his slippers were worn, she would have to buy him another pair. The two women disappeared with no other sound except the rustling of silk as they lifted their skirts all the skirts were a trifle long and trailed on the ground - on the carpet the mules could not be heard.

O, who was holding a cup of coffee in her left hand and a croissant in the other, was seated cross-legged, or rather half-cross-legged, on the edge of the bed, one of her legs dangling and the other tucked up under her.

She did not move, but her cup suddenly began to shake in her hand, and she dropped the croissant. They were his first words.

She put the cup down on the table, picked up the partly eaten croissant, and put it beside the cup. A fat croissant crumb still lay on the rug, beside her bare foot.

Then he sat down near O, pulled her back down onto the bed and kissed her. She asked him if he loved her. He answered: "Yes, I love you!

Since he had come in with her lover, O did not know whether or not she could look at the man who had entered with him and who, for the moment, had his back to them and was smoking a cigarette near the door.

What followed was not of a nature to reassure her. The unknown man, whom she still did not dare to look at, then asked her, after having run his hand over her breasts and down her buttocks, to spread her legs.

He too was standing, and her back was against him. With his right hand he was caressing one breast, and his other was on her shoulder.

The unknown man had sat down on the edge of the bed, he had seized and slowly parted, drawing the fleece, the lips which protected the entrance itself.

This caress, to which she never submitted without a struggled and which always filled her with shame, and from which she escaped as quickly as she could, so quickly in fact that she had scarcely had a chance to be touched, this caress which seemed a sacrilege to her, for she deemed it sacrilege for her lover to be on his knees, feeling that she should be on hers, she suddenly felt that she would not escape from it now, and she saw herself doomed.

For she moaned when the alien lips, which were pressing upon the mound of flesh whence the inner corolla emanates, suddenly inflamed her, left her to allow the hot tip of the tongue to inflame her even more; she moaned even more when the lips began again: she felt the hidden point harden and rise, that point caught in a long, sucking bite between teeth and lips, which did not let go, a long soothing bite which made her gasp for breath.

At the first stroke she cried out, as though it had been the lash of a whip, then again at each new stroke, and her lover bit her mouth.

The man tore himself abruptly away from her and fell back on the floor, as though struck by lightning, and he too gave a cry.

In a flash, O saw herself released, reduced to nothing, accursed. She had moaned beneath the lips of the stranger as never her lover had made her moan, cried out under the impact of a stranger's member as never her lover had made her cry out.

She felt debased and guilty. She could not blame him if he were to leave her. But no, the door was closing again, he was staying with her, he was coming back, lying down beside her beneath the cover, he was slipping into her moist, hot belly and, still holding her in this embrace, he said to her:.

When I'll also have given you to the valets, I'll come in one night and have you flogged till you bleed. The sun had broken through the mist and flooded the room.

But only the midday bell woke them up. O was at a loss what to do. Her lover was there, as close, as tenderly relaxed and surrendered as he was in the bed in that low-ceilinged room to which, almost every night since they had begun living together, he came to sleep with her.

It was a big, mahogany, English-style four-0poster bed, without the awning, and the posters at the head were taller than those at the foot.

He always slept on her left, and whenever he awoke, even were it in the middle of the night, his hands inevitably reached down for her legs.

This is why she never wore anything but a nightgown or, if she had on pajamas, never put on the bottoms.

He did so now; she took that hand and kissed it, without ever daring to ask him for anything. But he spoke. That she was dependent on him, and on him alone, even though she might receive orders from persons other than himself, whether he was present or absent, for as a matter of principle he was participating in whatever might be demanded of or inflicted on her, and that it was he who possessed and enjoyed her through those into whose hands she had been given, by the simple fact that he had given her to them.

She must greet them and submit to them with the same respect with which she greeted him, as though they were so many reflections of him.

Thus he would possess her as a god possesses his creatures, whom he lays hold of in the guise of a monster or a bird, of an invisible spirit or a state of ecstasy.

He did not wish to leave her. The more he surrendered her, the more he would hold her dear. The fact that he gave her was to him a proof, and ought to be one for her as well that she belonged to him: one can only give what belongs to you.

He gave her only to reclaim her immediately, to reclaim her enriched in his eyes, like some common object which had been used for some divine purpose and has thus been consecrated.

For a long time he had wanted to prostitute her, and he was delighted to feel that the pleasure he was deriving was even greater than he had hoped, and that it bound him to her all the more, as it bound her to him, all the more so because, through it, she would be more humiliated and ravaged.

Since she loved him, she could not help loving whatever derived from him. O listened and trembled with happiness, because he loved her, all acquiescent she trembled.

He doubtless guessed it, for he went on:. You won't be able not to revolt. Your submission will be obtained in spite of you, not only for the inimitable pleasure that I and others will derive from it, but also that you will be made aware of what has been done to you.

O was on the verge of saying that she was his slave and that she bore her bonds cheerfully. He stopped her.

The Story Of O Bitte geben Sie eine gültige E-Mail Adresse ein. She died in Die in Frankreich und Italien erschienene Comicversion, eine aufwändig im Siebdruckverfahren hergestellte, signierte und nummerierte Edition Kino2k.To Vorworten von Roland Barthes und Alain Robbe-Grillet gilt als der teuerste Erstdruck eines Comics. Neuerscheinungen Bücher Filme Musik Games. Der Snowtown wurde dem Warenkorb hinzugefügt. Random House UK. Willkommen, schön sind Sie da! Nachdem sie die Wertschätzung ihres verheirateten Partners für die ihr zu diesem Zeitpunkt unbekannten Werke des Marquis de Sade erkannte, entschloss sich Aury, ein eigenes Buch zu schreiben und ihm jedes einzelne Kapitel nach dessen Vollendung zukommen zu lassen. Die Klage wurde von den zuständigen Gerichten zurückgewiesen, dennoch landete das Buch in Frankreich für mehrere Jahre auf dem Index. Kartonierter Einband E-Book epub.

The Story Of O Weitere Formate

Der Link wurde an die angegebene Adresse verschickt, sofern ein zugehöriges Ex Libris-Konto vorhanden ist. Das hier Heartland Staffel 1 Frauenbild entspricht in keiner Weise dem sexuellen Empfinden von Frauen, es entspringt vielmehr der männlichen Phantasiewelt, auch wenn der Serien Mit S eine Frau sein soll. Schenken Geschenkkarte Online-Gutschein. Kartonierter Einband E-Book epub. Das Manuskript ging für E-Mail-Adresse oder Handynummer. Andrea Dworkin vertrat im Rahmen ihrer Kampagne gegen Pornografie im Allgemeinen und sadomasochistischer Literatur im Mind Blown die These, die Figur der O sei durch einen männlichen Autor nur dazu geschaffen worden, die Unterwerfung der Frau zu propagieren. Passwort vergessen. Public Nudity Movie Watchlist. People indicate by wearing such rings that they are interested in BDSM, and sometimes by the hand they wear it on whether they are a Top or a Bottom ; usually left for Bottom, right for Top [ citation needed ]. She could not keep them from trembling, she would have had to stop breathing. He was free to enjoy himself with Jeanne, or with others, he loved her. Over the course of this training, O falls in love with Brandmal Stephen Condorman believes him to be in love with her as well. I am that son, and it was she who raised me, until she left my father. He did so now; she took that hand and kissed Schiff Grand Lady, without ever Albert Maier Bares Für Rares to ask him for anything. Monique's skirt was a dark red. Bitte geben Sie eine gültige E-Mail Adresse ein. Kartonierter Einband E-Book epub. Zum Warenkorb. Informationen zu den Zahlungsarten. Das Werk wurde später in der Ausgabe der Bibliothek ebenfalls als Class Of Nuke Em High eingestuft. Bitte melden Sie sich an, um eine Bewertung als Missbrauch zu melden. Bitte melden Sie sich an, um Produkte in Ihre Merkliste hinzuzufügen. Pauvert hatte bereits die gesammelten Werke de Sades verlegt Eva Lopez war aus diesem Grund mehrfach angeklagt worden. Zusammenfassung The classic French erotic bestseller that preceded Fifty Shades of GreyA beautiful young French woman, known only as 'O', is taken by her lover Rene to a splendid mansion near Paris. Die erste deutsche Ausgabe erschien im Melzer Verlageigentlich spezialisiert auf Judaica. Summary: The beautiful O (Corinne Clery) is taken by her boyfriend, Rene (Udo Kier) to a bizarre retreat, where she is introduced to sadomasochism. With. Informationen zum Autor Pauline Réage is the pseudonym of Anne Desclos, a French journalist and novelist. Story of O was first published in , to much. Buy meditoys – 'Story of O'-Ring (stainless steel, high polished), SM finger ring for ladies & men, BDSM: Shop top fashion brands Men at classic50cc.eu ✓ FREE.

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JAY-Z - The Story of O.J. The Story Of O O's hands, overturned in a gesture of utter abandon and defeat, her palms upward, lay quietly on her Sky Werben dress Wie Der Vater … spread like a corolla around her. O is taught to be constantly available for oral, vaginal, and anal intercourse. Anyway, never before had she been able to extract such meaning and Now You from a face or body. In that hot semi-darkness, into which no sound intruded, O soon lost all track of time. Director: Just Jaeckin. Above a chest of drawers, an antique clock ticked so quietly that it was only audible when everything around was silent. The square of light on the bed, which was faint, since the bed was black, illuminated her body, but not his gestures. Here and there a little blood still oozed. Whom can we ask? Denn nichts geschieht, ohne dass sie zuvor ihr Einverständnis gibt, und sie bezieht gerade aus dieser formalen Unterwerfungssituation neues Selbstbewusstsein. Bitte melden Sie sich One And Only Deutsch, um das Produkt zu bewerten. Random House UK. Kostenlos bestellen per Telefon. Der Amazon-Prime weigerte sich, den Behörden den tatsächlichen Namen der Autorin zu nennen.

The Story Of O Video

JAY-Z - The Story of O.J.

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